Those who know or own the previous Redshift releases will be surprised as the cd-cover has been completely overhauled for the bands 10th release, for which the typical Redshift also has left the scene.
The 13-minute “The Love of Nature” takes off nicely with abstract, raw modular soundscapes and an edgy bass-sequencer rhythm. As expected, it finds the versatile, impressive vintage sounds of the huge Moog always at its core. In a way, the bass-structure reminded me of John Carpenter’s soundtrack “The Prince of Darkness”.
Next is the short and overall quiet “The Last thing we see”, which sounds very much in vein of the closing chords of TD’s “Rubycon”.
“Happy Hour” is the second short track, a quiet interlude made up of drifting freeform textures.
The almost 23-minute title track closes the album in classic Redshift style: great spacy atmospheres, mellotron textures, and slowly building Moog sequencer lines, ending up in a massive wall of melodic sound. There’s a break at the 12-minute mark, where raw Moog sequences fire its engines with mellotron melodies floating over is.
“Turning Towards Us” most of all is proof Mark Shreeve’s Redshift is still very much alive and kickin’!
You can see what reviews I have done of this artist on the Redshift artist page
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