The sole musician behind Eyes Cast Down is US-based ambient/electronic composer, musician and writer Greg Moorcroft. “The Separate Ones” (that demanded seven years of hard work to complete as life got in the way on many occasions during the process of creation and sculpting) is a concept album featuring a set of reflections on attachment, separation and loss. This automatically made me think of Paul Sauvanet’s “Tristesse”, along with an album by Boris Lelong (that I reviewed a while back), who also appears to have provided the artwork for “The Separate Ones”.
Work started with lots of trial and error of ambient improvisation and composition for which Greg stuck to synths only for about two years. Next, he decided to try his hand at composing for electric guitar. This turned out more effectively and satisfying, eventually leading to four guitar-driven works on a total of six compositions.
The 73-minute “The Separate Ones” features airy, drifting and lush textural worlds along gentle loops that now and then bring the older releases of Jeff Pearce to mind. Moreover, it’s an entrance into a slowly curling and flowing world of contemplation and inner thoughts despite a constant undercurrent of movement. Things go even deeper on the 17-minute “Knife of Karma”, where drifting pads, Tibetan drone chimes and soft bells run the celestial edge.
This moody sphere continues on the elevating “Expanse of Heart”, on which a heavenly female voice joins the gentle soundscapes. The 21-minute “Like a Riven Cloud” is the longest take on the album, entering a spacious dream sphere with soft mourning and wavering violin. But as the track progresses, a surreal/psychedelic world opens up as well, something that’s also found in the final piece “Radha’s Tears”.
All in all, “The Separate Ones” is a peculiar but also fascinating ambient album needing a couple of spins before one can judge its real sonic impact.
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